Papuans, between two worlds

Local production partner: Marc Dozier

Arte · Sepik · Porgera, Enga · 2013 · Full organisation

For Arte, French director Daniel Vigne followed two young Papuans between tradition and change. We organised the whole shoot: more than two days by canoe up the Sepik, then the Highlands of Enga around the Porgera gold mine.

Film crew filming from a motorised dugout canoe on the Sepik River at sunset, Papua New Guinea
The crew travelling up the Sepik River by canoe, 2012. © Marc Dozier

For Arte, French director Daniel Vigne followed two young Papuans living between two worlds. Benneth could not settle in the city: he went back to his Iatmul village on the Sepik River to be initiated and become a Crocodile Man. Jethro lives near the Porgera gold mine in the Highlands and speaks for the families whose land has been changed by mining.

Daniel Vigne is the director of Le Retour de Martin Guerre (1982, three César awards). He has a long connection with Papua New Guinea and its art. Papous, entre deux mondes was filmed in 2012, produced by Cinétévé for ARTE France and broadcast on Arte on 28 September 2013. In February 2014 it was selected in competition at the 11th FIFO, the Oceania documentary film festival in Tahiti.

Up the Sepik by canoe

It was an ambitious shoot. To follow Benneth home, the crew travelled up the Sepik with him: more than two days by canoe. Papua New Guinea Fixer organised everything on the ground: canoes, travel, accommodation, food and security, on the river and later in the Highlands.

Cameraman filming three Papuans talking in a dugout canoe on the Sepik River, Papua New Guinea
Filming an interview in a dugout canoe on the Sepik River, 2012. © Marc Dozier
Camera operator and sound recordist filming on a stack of logs in the Sepik region while two boys watch
Filming at a logging site in the Sepik region, 2012. © Marc Dozier
Aerial view at sunset of Chambri Lake and the channels of the Sepik floodplain, Papua New Guinea
Chambri Lake and the channels of the Sepik floodplain (aerial view, 2019). © Marc Dozier

Becoming a Crocodile Man

The Iatmul live along the middle Sepik. Their young men are initiated in the haus tambaran, the men’s house, where the skin of the back and chest is cut in patterns that recall the scales of the crocodile, the ancestor of the clan. A ceremony like this cannot be filmed on request: it takes the agreement of the elders, the initiates and their families, and time spent in the village before the cameras roll.

Cameraman filming a young man painted with white clay, a leaf in his mouth, during an initiation on the Sepik
Filming during the initiation ceremony, Sepik River, 2012. © Marc Dozier
Chest and arms of a Sepik man with raised initiation scars in the pattern of crocodile skin
Initiation scars representing the crocodile, Sepik River region (photo 2008). © Marc Dozier
Aerial view of a long thatched haus tambaran spirit house among coconut palms, Sepik region, Papua New Guinea
A haus tambaran, the spirit house where young men are initiated, Sepik River region (aerial view, 2025). © Marc Dozier

Around the Porgera mine

The second part of the film was shot in Enga Province, around the Porgera gold mine, one of the largest mines in the country. Filming there was a challenge. The crew was not given access inside the mine, but we were able to film all around it, with the customary landowners whose land surrounds the site.

The film

FilmPapous, entre deux mondes (Papuans, between two worlds)
BroadcasterArte (28 September 2013)
DirectorDaniel Vigne
ProductionCinétévé for ARTE France
CameraAxel Ferrault
SoundMarc Soupa
EditingThierry Simonnet
MusicArdag Basmadjian
Duration52 minutes
Filmed2012, Sepik and Enga Province
FestivalFIFO Tahiti 2014, in competition
Our roleFull organisation: logistics, travel, accommodation, food, security (credited as fixer in the end titles)

Filming on the Sepik or in the Highlands?

River journeys, initiations and mining areas take time, trust and careful preparation.

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